Geburtsdatum | Sonntag, 20. Dezember 1970 |
Geburtsort | New York City, New York, U.S. |
Sternzeichen | |
Beschreibung | Todd Phillips (né Bunzl, born December 20, 1970) is an American film director, producer, and screenwriter. He began his career in 1993 and directed films in the 2000s such as Road Trip, Old School, Starsky & Hutch, and School for Scoundrels. He came to wider prominence in the early 2010s for directing The Hangover film series. In 2019, he co-wrote and directed the psychological thriller film Joker, based on the DC Comics character of the same name, which premiered at the 76th Venice International Film Festival where it received the top prize, the Golden Lion. Joker went on to earn Phillips three Academy Award nominations for Best Picture, Best Director, and Best Adapted Screenplay, with his co-writer Scott Silver, his second, third, and fourth Academy Award nominations after also being nom |
You know, if I started worrying about what the critics think, I'd never make another comedy. You couldn't pick a less funny group than critics - you couldn't find a more bitter group of people!
I think that 'Hangover II' is as funny as 'The Hangover I,' honest to God, but I think that it's a little bit darker, and the stakes are a little bit higher.
I think people like comedies and I think concept driven comedies seem to be working when it's a clear concept and you deliver funny stuff.
There's a punk-rock attitude, clearly, to 'Hated.' There's even a punk-rock attitude to 'The Hangover,' I think. We start the movie with a Glenn Danzig song.
Comedy is so subjective. You could be in a room with 400 people laughing at a joke and you could just not think it's funny. You're just sitting there like, 'Am I in the twilight zone? Why is everyone laughing?' It's such a personal thing. People have such a personal visceral response to comedy.
There's a darkness under 'The Hangover' because ultimately there's a missing person and it's not really that funny. There's a sort of darkness under it that I love, and still people are laughing as hard if not harder than they did in 'Old School.'