Geburtsdatum | Dienstag, 15. Oktober 1957 |
Geburtsort | Rourkela, Orissa, India |
Sternzeichen | |
Beschreibung | Warning: Trying to access array offset on value of type null in /home/peoplefaqscom/peoplefaqs.com/public/wp-content/plugins/peoplefaqs-wp-helpers-plugin/classes/apis/DeeplAPI.php on line 39 Warning: Trying to access array offset on value of type null in /home/peoplefaqscom/peoplefaqs.com/public/wp-content/plugins/peoplefaqs-wp-helpers-plugin/classes/apis/DeeplAPI.php on line 40 Mira Nair (born 15 October 1957) is an Indian filmmaker based in New York City. Her production company, Mirabai Films, specializes in films for international audiences on Indian society, whether in the economic, social or cultural spheres. Among her best known films are Mississippi Masala, Kama Sutra: A Tale of Love, The Namesake, the Golden Lion–winning Monsoon Wedding, and Salaam Bombay!, which received nominations for the Academy Award for Best Foreign Language Film and the BAFTA Award for Best Film Not in the English Language. |
I am at home in many cultures. I live actively in three continents and I've done that for most of my life, so I just make films as I see the world, and that happens to speak to people. I do things that I want to do.
We have to realize only in communication, in real knowledge, in real reaching out, can there be an understanding that there's humanity everywhere, and that's what I'm trying to do.
New York City is home to so many people from so many places and the uniqueness of it is that you never feel a foreigner. English is almost hardly ever heard in the subway. In fact, it's weird.
It's only at this age that I can say the word 'art' without flinching.
I think films have to reach people and really grab them. That's what I hope to do when I make a film - to get under your skin and really make you think about something, and have a transporting time that takes you somewhere.
Creative freedom is an imperative for me, but it doesn't really exist in a Hollywood game.
We have three generations at home, including my father-in-law. I keep a very low profile, and a lot of things I do are very much with the family in mind. I have actually made films with the family around me.
Marriage of attraction is a gamble anyway, so you might as well marry into a family that is similar to your own, and make that much less of an adjustment. But the 'love marriage', as it is called, is equally common in India now. But it would be interesting to do a comparison of what would work better. Marriage is hard work, and it is a gamble.
You know, the sad thing of post-9/11, which was of course horrific, was that the city in which I felt completely at home for two decades, suddenly people like us - brown people - were looked at as the 'Others.'
