Geburtsdatum | |
Geburtsort | Ely, Cambridgeshire, England |
Sternzeichen | |
Beschreibung | Warning: Trying to access array offset on value of type null in /home/peoplefaqscom/peoplefaqs.com/public/wp-content/plugins/peoplefaqs-wp-helpers-plugin/classes/apis/DeeplAPI.php on line 39 Warning: Trying to access array offset on value of type null in /home/peoplefaqscom/peoplefaqs.com/public/wp-content/plugins/peoplefaqs-wp-helpers-plugin/classes/apis/DeeplAPI.php on line 40 Guy Edward Pearce (born 5 October 1967) is an Australian actor. Born in Ely, Cambridgeshire, and raised in Geelong, he started his career portraying Mike Young in the Australian television series Neighbours. He received international attention for his breakout role in The Adventures of Priscilla, Queen of the Desert (1994) and subsequently took starring roles in Curtis Hanson's L.A. Confidential (1997), Christopher Nolan's Memento (2000) and Simon Wells's The Time Machine (2002). Pearce is known for his performances in the film adaptation of Cormac McCarthy's The Road (2009), Kathryn Bigelow's war drama The Hurt Locker (2009) and Tom Hooper's historical drama The King's Speech (2010). He has appeared in Ridley Scott's Prometheus (2012), the Marvel action film Iron Man 3 (2013), Alien: Cove |
Funny enough, if you are looking at people these days who are putting Botox in their face and getting all sorts of plastic surgery, we look at them and go, I can tell you've had Botox. I can tell you've had plastic surgery. You look really strange to me. But no one's saying anything. We're just accepting the fact that they're strange-looking.
I've been asked to do action-oriented movies in the past and they just haven't been right for me.
You work on things and you have such faith in them while you're making them that everything feels special - in a way.
I don't enjoy movies in 3D. I find I can't engage with the story as well.
The thrill of coming home has never changed.
It's funny, though, with films, because you can incorporate a variety of elements, and sometimes that can work for you and sometimes I think it can work against you.
The thing I've come to learn is that what's great about small independent films is the intimacy and the communication that occurs when you're making them.
