Geburtsdatum | Freitag, 22. Oktober 1943 |
Geburtsort | Paris, France |
Sternzeichen | |
Beschreibung | Warning: Trying to access array offset on value of type null in /home/peoplefaqscom/peoplefaqs.com/public/wp-content/plugins/peoplefaqs-wp-helpers-plugin/classes/apis/DeeplAPI.php on line 39 Warning: Trying to access array offset on value of type null in /home/peoplefaqscom/peoplefaqs.com/public/wp-content/plugins/peoplefaqs-wp-helpers-plugin/classes/apis/DeeplAPI.php on line 40 Catherine Fabienne Dorléac (born 22 October 1943), known professionally as Catherine Deneuve (UK: /dəˈnɜːv/, US: /dəˈnʊv/, French: [katʁin dənœv]), is a French actress as well as an occasional singer, model, and producer, considered one of the greatest European actresses. She gained recognition for her portrayal of icy, aloof, and mysterious beauties for various directors, including Jacques Demy, Luis Buñuel, François Truffaut, and Roman Polanski. In 1985, she succeeded Mireille Mathieu as the official face of Marianne, France's national symbol of liberty. A 14-time César Award nominee, she won for her performances in Truffaut's The Last Metro (1980), for which she also won the David di Donatello for Best Foreign Actress, and Régis Wargnier's Indochine (1992). |
A woman has to be intelligent, have charm, a sense of humor, and be kind. It's the same qualities I require from a man.
I like being famous when it's convenient for me and completely anonymous when it's not.
I go to the movies a lot, and I regret when I see some actor that I used to like, to find them offering no more surprises.
I would have liked maybe to be in architecture or painting, something connected to the fine arts.
Film is a very young art that is still evolving. Soon, we shall reach a balance between content and technology.
I live very normally, I go out with my friends, we go to the movies, I queue, we go to restaurants.
I'm not an admirer of action movies. I just think, Oh my God, it must be so tiring.
Mississippi Mermaid was a very special experience because we only had the dialogues for the scenes we were shooting the night before.
I don't see any reason for marriage when there is divorce.
I admire directors so much, I find them incredible: they manage such a huge number of people of different characters, think of the money involved.
Marriage is obsolete and a trap.
Love is suffering. One side always loves more.
I have no physical courage, I've asked for a double.
