Geburtsdatum | Samstag, 15. Mai 1948 |
Geburtsort | Melton, Suffolk, England |
Sternzeichen | |
Beschreibung | Brian Peter George St John le Baptiste de la Salle Eno RDI (/ˈiːnoʊ/; geboren am 15. Mai 1948 als Brian Peter George Eno) ist ein britischer Musiker, Komponist, Plattenproduzent und bildender Künstler, der vor allem für seine Beiträge zur Ambient-Musik und seine Arbeiten im Bereich Rock, Pop und Electronica bekannt ist. Eno, der sich selbst als "Nicht-Musiker" bezeichnet, hat dazu beigetragen, unkonventionelle Konzepte und Ansätze in die zeitgenössische Musik einzuführen. Er wird als eine der einflussreichsten und innovativsten Persönlichkeiten der Popmusik bezeichnet. |
One of the interesting things about having little musical knowledge is that you generate surprising results sometimes you move to places you wouldn't if you knew better.
The whole history of pop music had rested on the first person singular, with occasional intrusions of the second person singular.
I think most artists would be happy to have bigger audiences rather than smaller ones. It doesn't mean that they are going to change their work in order necessarily to get it, but they're happy if they do get it.
Something I've realized lately, to my shock, is that I am an optimist, in that I think humans are almost infinitely capable of self-change and self-modification, and that we really can build the future that we want if we're smart about it.
I had a lot of trouble with engineers, because their whole background is learning from a functional point of view, and then learning how to perform that function.
When our governments want to sell us a course of action, they do it by making sure it's the only thing on the agenda, the only thing everyone's talking about. And they pre-load the ensuing discussion with highly selected images, devious and prejudicial language, dubious linkages, weak or false 'intelligence' and selected 'leaks.'
We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
I would like to see a future where artists think that they have a right to contemplate things like global warming.
I've noticed a terrible thing, which is I will agree to anything if it's far enough in the future.
It's not the destination that matters. It's the change of scene.
When you sing with a group of people, you learn how to subsume yourself into a group consciousness because a capella singing is all about the immersion of the self into the community. That's one of the great feelings - to stop being me for a little while and to become us. That way lies empathy, the great social virtue.
I had wanted a tape recorder since I was tiny. I thought it was a magic thing. I never got one until just before I went to art school.
The basis of computer work is predicated on the idea that only the brain makes decisions and only the index finger does the work.
Sometimes you recognize that there is a category of human experience that has not been identified but everyone knows about it. That is when I find a term to describe it.
I take sounds and change them into words.
I felt extremely uncomfortable as the focal point, in the spotlight. I really like the behind the scenes role, because all my freedom is there.