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Steckbrief von 
Alexander Payne

Geburtsdatum

Freitag, 10. Februar 1961

Geburtsort

Omaha, Nebraska, U.S.

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Beschreibung

Constantine Alexander Payne (/peɪn/; geboren am 10. Februar 1961) ist ein amerikanischer Filmregisseur, Drehbuchautor und Produzent. Am bekanntesten ist er für die Filme Citizen Ruth (1996), Election (1999), About Schmidt (2002), Sideways (2004), The Descendants (2011), Nebraska (2013) und Downsizing (2017). Er ist bekannt für seinen schwarzen Humor und seine satirischen Darstellungen der zeitgenössischen amerikanischen Gesellschaft. Payne ist zweifacher Gewinner des Academy Award für das beste adaptierte Drehbuch und dreifacher Nominierter für den Academy Award für die beste Regie. 2017 setzte Metacritic Payne auf Platz 2 seiner Liste der 25 besten Filmregisseure des 21. Jahrhunderts.

Häufig gestellte Fragen

Wie alt ist Alexander Payne heute?

63 Jahre

Welches Sternzeichen hat Alexander Payne?

Wo wurde Alexander Payne geboren?

Mit wem ist Alexander Payne verheiratet?

Sandra Oh

Wo hat Alexander Payne studiert?

University of California, Los Angeles

Bekannte Zitate von Alexander Payne

I get asked, 'How can you have such failures in your films?' Well, what else is life about? There's some sense of constant failure in something. Humor gives you a distance from it.
Immortals' is all action. I love action movies. That's really where I want to spearhead my career.;Kellan Lutz;movies 49780;Even though I make those movies, I find myself wishing that more of those magic moments could happen in real life.;Jane Seymour;movies 49781;I really love the independent movies and I just think that sometimes when they throw a lot of money into it and a lot of special effects and a lot of stunts that you lose the connection, the human connection and I personally love movies that are about the human connection.;Jane Seymour;movies 49782;You know, Stephen says, in the movies no one ever goes to the bathroom. They shave, they brush their teeth. He goes right at this sort of funny taboo we have about the bathroom, and he turned it into this nightmare, you know, your worst fear of what's in there.;Lawrence Kasdan;movies 49783;The movies that made me want to make movies were action movies, and thrillers, and Kurosawa films, you know, where you have an opportunity every day to shoot it in an unusual way. I was looking for something like that.;Lawrence Kasdan;movies 49784;The kind of pace that you want to use in a Western - just to acknowledge the land in the distance that everyone has to travel, and the way things develop sort of slowly - it's almost the antithetical of what's currently going on in the movies, you know.;Lawrence Kasdan;movies 49785;I really liked Carrie a lot. That was one of Brian De Palma's best movies.;Lawrence Kasdan;movies 49786;I mean, the trouble with some of the kind of relationship movies I've done, is there's only so many ways you can shoot a conversation. I was really tired of talking heads.;Lawrence Kasdan;movies 49787;I loved Alien, and I loved Carrie, and I loved The Exorcist - those were big movies for me. They were just brilliantly done, and unusual, and they all took horror to some new place.;Lawrence Kasdan;movies 49788;I haven't seen Clones, which has been during this period when I haven't seen much of anything, but I did see Phantom Menace, and see my feelings about it - see, first of all, I think that when you make a lot of movies, your attitude about the movies changes.;Lawrence Kasdan;movies 49789;I didn't really want to do another sequel. I go to those movies, and I just sort of enjoy them like a viewer.;Lawrence Kasdan;movies 49790;For me, relationships are the real action movies. Bombs are exploding every day and the kitchen is Ground Zero.;Michelle Williams;movies 49791;I mean, look, I love movies, not just the ones I make... In fact, I don't like the movies I make very much.;Alexander Payne;movies 49792;Each one of my movies becomes easier to get off the ground.;Alexander Payne;movies 49793;The novel succeeds on terms exclusive to literature. A good film succeeds on terms exclusive to the cinema. That's why so many bad novels can become good movies, like 'Jaws' or 'The Godfather.
The biggest fear I have is to die with regrets, and of course that will come true.
I guess maybe I try to make movies that are closer to real life than are many Hollywood movies. But I still try to stay within a commercial narrative, a contemporary American vernacular.
Even if we die at 100, we're still dying young. I want at least 700 years. There's a lot of travelling and books to read and movies to see. I'm not going to squeeze it all in in 85 years.
You just never know when you're living in a golden age.
Joe E. Lewis said, 'Money doesn't buy happiness but it calms the nerves.' And that is how I feel about a film being well-received.
Anytime you cast a movie and you need someone famous in the lead part, you're a prisoner of whoever happens to be famous in the six-month window in which you're trying to get a film financed.
I don't feel despair because I am able to make the films I want to make, and that gives me hope.
Hollywood films have become a cesspool of formula and it's up to us to try to change it... I feel like a preacher! But it's really true. I feel personally responsible for the future of American cinema. Me personally.
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