I'm just attracted to playing people who are ostensible unlikable. That's not to say that there's something in there that makes you care. It might be that you just find them so awful that you just can't stop watching, like a car crash.
The trick is always to write in pairs because if at least two people find it funny, you've immediately halved the odds of it not being funny.
The great thing is that the funny side of getting old is fuel for my comedy.
I am of the very last generation who didn't have computers at school. As we grow old we'll become something of an aberration.
Actually, bizarrely, in America, I get more appreciation from the odd, unusual stuff I've done, almost because I'm not, if you like, famous in America as I am in England.
But with comedy it's a simple premise. If it's funny, people laugh. If it's not, they don't.
I have never wanted to be famous, as such - fame is a by-product.
If you are a great dramatic actor then you often don't know if people are enjoying your stuff at all because they are sitting there in silence. But with comedy it's a simple premise. If it's funny, people laugh. If it's not, they don't.
I think it's always funny when you see kids do Shakespeare.
